#Selena album covers professional

Musgraves earned several Grammy Awards for her album Golden Hour, including the Grammy for Album Of The Year, Best Country Solo Performance, and Best Country Album. Others know her as the country artist behind songs like вЂњHigh Horse,вЂќ вЂњButterflies,вЂќ and вЂњRainbow.вЂќ Musgraves is the award-winning artist behind the 2021 album, Star-Crossed. Some know her from her Amazon Prime Christmas special, titled A Very Kacey Christmas. This cover shot is known to fans around the world.вЂGolden HourвЂ™ artist, Kacey Musgraves, performs at The Theatre at Ace Hotel | Kevin Winter/Getty Images Kacey Musgraves is the Grammy Award-winning artist behind вЂGolden HourвЂ™ Everything she did for the camera was the expression of a star in bloom. Selena didnвЂ™t need a lot of direction, but it seemed that she took my suggestions as inspiration. Occasionally, Selena would come out and choose a lipstick, borrow a brush, or ask for JohnвЂ™s opinion. He went back to the bus, leaving SelenaвЂ™s mother to supervise the photo shoot.ДЄs the photo shoot went on, John McBurney, who is still my go-to makeup artist, hovered in the background. SelenaвЂ™s sexiness was a bit too much for Abraham.

Selena had crafted and constructed her unique artistic presence with her own hands and dreams. She was now a fully developed woman, wearing a bustiere with a see-through midriff, bold striped top, black spandex pants and sizzling heels. This wasnвЂ™t the teen I first saw outside the Tejano Awards. When she came out of the dressing room, I was gobsmacked. Selena was quiet, but open and welcoming. The girls were a bright contrast to their dad. Working professionally for more than a decade, Selena was designing and making her own costumes. вЂњSelena and Suzette will take care of it themselves.вЂќ With that, the girls came off the bus, carrying SelenaвЂ™s wardrobe into the dressing room. вЂњWe wonвЂ™t be using your make-up person,вЂќ he informed me.

#Selena album covers professional

He was professional but carried himself with a dismissive attitude. We made our introductions and I showed Mr. When they arrived, Abraham was first off the bus. The band was traveling from Corpus Christi, heading out on tour. The session was scheduled for early evening. I rented a friendвЂ™s studio, borrowed a parachute backdrop, set up my lights, and awaited SelenaвЂ™s arrival. Accustomed to working with shoe-string budgets, I was really pleased that the labelвЂ™s generous budget would cover studio rental, a professional makeup artist, and all the film I could shoot. The album photography they had wasnвЂ™t acceptable to Abraham or the record company and they needed a quick reshoot. The album was due to come out soon when I got a call from EMI. In 1992, the industry was excited about вЂњEntre A Mi MundoвЂќ, SelenaвЂ™s third album, written and engineered to be her commercial breakthrough. I had already been working for Capitol EMI Latin and had been pushing to photograph SelenaвЂ™s album covers, but the QuintanillaвЂ™s had chosen a different San Antonio photographer to work on her first two EMI albums. She was an amazing performer and had a special bond with her audience. I had photographed some of the most dynamic acts in the world, but I had never seen anything like this young seventeen-year-old girl. In 1988, as I was covering the Tejano Music Awards, I happened to catch SelenaвЂ™s band as they performed outside the Awards hall. Selena recorded with the Freddie, Cara and GP record labels before signing with Capitol вЂ“they had signed her thinking she would be the next Gloria Estefan.

AbrahamвЂ™s life was all about music, and his children were learning the business as well as becoming accomplished performers. Selena had been headlining the band since she was eight years old. Her father, Abraham Quintanilla, played with, and managed Los Dinos, which included SelenaвЂ™s brother and sister. Selena Quintanilla grew up in Corpus Christi. By 1987 I had shifted my photographic interests from Rock & Roll to the Conjunto and Tejano bands of my own culture, and was working on photo assignments for several of the regional Tejano record labels.